Mary Ellen Mark was an American based photographer who was best known for focusing on capturing portraiture photos, working in photojournalism and advertising photography. She captured people doing their own thing in an environment that suited them; she described it as capturing people who were “away from mainstream society” by doing this she was able to take a more interesting photo.
All together, mark had 18 photograph collections whilst being able to exhibit her work at galleries and museums worldwide. As well as this, in the past she had published her work in magazines and newspapers such as Life, Rolling Stone, The New Yorker, New York Times and Vanity Fair.
Mary received various different awards whilst being a member of Magnum Photos between 1977 to 1981 such as three Robert F. Kennedy Journalism Awards, three fellowships from the National Endowment for the arts, the Lifetime achievement in photography award from the George Eastman House in 2014 and the outstanding contribution photography award from the photography organisation.
From the early age on nine, Mary used to take photographs with a Box Brownie camera. She enjoyed painting and drawing whilst being at Cheltenham High School. In 1962 she got a BFA degree in painting and art history from the University of Pennsylvania. After graduating she worked in the Philadelphia city planning department before returning back for a master’s degree in photojournalism at the Annenberg School for Communication at the University of Pennsylvania she received this in 1964.
The next year, Mary got a Fulbright Scholarship which allowed her to take photographs in Turkey for one year. Following from her trip in turkey, she was able to publish her own book using her Turkey photos called “Passport” in 1974. As well as capturing Turkey, she also took photos of England, Germany, Greece, Italy and Spain.
The 18 different photograph collections had different aims in order to capture the perfect themed photo. One of her projects called “Ward 81” was well known for capturing the strong relationships within the photos. Her shoots have had an outcome of many great things, for example her project called “Street of the Lost” was used to inspire the writing of a book called “Streetwise” which was published in 1988. This book was then developing into a film called “Streetwise”, also added by a soundtrack.
Mary was a photographer on set of various movies such as Arthur Penn’s Alice’s Restaurant, Mike Nichols’ Catch-22, Carnal Knowledge and Francis Ford Coppola’s Apocalypse Now.
To take her photos, Mary used a wide range of camera is many different formats such as 35 mm, 120/220, 4×5-inch view camera, and a 20×24 Polaroid Land Camera, primarily in black and white using Kodak Tri-X film.
Mary’s photos capture the emotion and feelings the subject felt whilst being shot in black and white. The black and white makes you aware of what era the photos were set in. Maybe if she had access to colour, she would use bold colours to empathise more emotion. Each photograph is either a close up of the face or a half body shot of the subject doing an activity based on their surroundings.
In order to recreate Mary’s photos but in my perspective I will need models to be my subject, for this I have chosen my 10 year old cousins as Mary uses children a lot in her photos. I’ll tell them to act natural as if I’m not there whilst I take photographs of them talking and having a laugh. This way I can capture their natural facial expressions so the image focuses on their emotion as well as what they’re doing.